The lines that divide tribute from parody or pastiche are very fine ones, and the concepts are hardly mutually exclusive — especially in the music world. Songs ranging from Billy Joel’s “Uptown Girl,” Madonna’s “True Blue” and Whitesnake’s “Still of the Night” to Bruno Mars and Anderson .
“How Saba Kept Singing” seeks to understand how Polish Jewish teenager David Wisnia survived nearly three years in Auschwitz. The editing and vague timelines make it seem as if this latest doc from multi-hyphenate Sara Taksler (“Tickling Giants”) is revealing something previously unreported, even though a 2019 New York Times article already divulged the touching love story that underlies the “How” of the title.
Marlon Wayans - photos
2024-04-22
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Redeem now Sleeping with the fishes just became a good thing.
Africa opened its first underwater hotel room this month, making it the second in the world.
The room, at the Manta Resort on the Zanzibari island of Pemba, was designed by Swedish artist Mikael Genberg, who also built the first underwater hotel room in a lake in Sweden. The Manta Resort room sits 4 meters beneath the surface (that's just over 13 feet, three feet deeper than the room in the Swedish lake).
Play video content 1/3/24 LAW BRAWL A Las Vegas judge took a beating as she sentenced a man Wednesday for felony battery -- the convict broke free, and viciously took her down to the ground.
The insane incident went down at Clark County District Court, where Judge Mary Kay Holthus was giving 30-year-old Deobra Redden his sentence. Redden's attorney reportedly asked Holthus to give his client probation, but she wasn't budging.
When the show returns on Friday, Rafael is broke, homeless, and living with Jane after some hotel business went bad with Petra (Yael Groblas) and his kinda evil sister Luisa (Yara Martinez). Meanwhile, Jane had just been about to tell Rafael about her feelings for him when she went to meet the guy who had found the letter from her late husband Michael, only to discover it was her adorable first love, Tyler Posey.
Joy Oladokun and Mercy Bell grew up trying to exist as members of multiple communities whose boundaries, organized around race, culture, region, class, religion or sexuality, didn't always overlap. For them, contemporary folk music made self-expression and a sense of belonging not seem mutually exclusive. From opposite sides of the country — Arizona in Oladokun's case and Massachusetts in Bell's — they embarked on journeys to become singer-songwriters who close the gaps between the particulars of who they are and what they've lived and the potential for broad connection.
OpinionWomen This article is more than 9 months oldThe chasm between mothers and childless women is widening This article is more than 9 months oldNicola SlawsonSeeing friends move on to motherhood without me is made all the more painful by a chronic failure of empathy on both sides
Standing in a circle of women waiting for an exercise class to start the other day, I found myself laughing and commiserating with them about the bugs their children kept catching at nursery, wondering when I was going to be caught out.