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TheatreReviewAlmeida, London I complained of Lucy Kirkwood’s last play, NSFW at London’s Royal Court, that it was too short: no such problems with this gloriously rich, mind-expanding three-hour play, which explores the complex relationship between China and America. Co-produced by the Almeida and touring company Headlong, it has the extravagant scale and swagger of the latter’s version of Lucy Prebble’s Enron. Kirkwood’s play takes the form of a quest. Joe Schofield, a fictional American photojournalist who snapped the lone protester confronting a tank in Tiananmen Square in 1989, gets a tip-off that the man may now be living in the US: this leads him on a journey through America’s Chinese community, in the course of which he jeopardises his job, his friendships and his affair with a British market researcher.

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Austin Reaves undeniably stands as a key player for the Los Angeles Lakers roster. Over the years, he has ascended from a humble role player to a dependable force on the offensive end. Displaying remarkable efficiency across the entirety of the court, Reaves possesses a talent for getting to the charity stripe. Despite his lack of athleticism, he consistently seeks out opportunities to impact the game. Moreover, akin to a coach’s favourite student, Reaves exhibits an ability to make astute decisions on the court.

Popular cold and flu medicines have been banned in the UK over fears they could trigger deadly allergic reactions, leaving many Brits wondering how to treat their symptoms. But Dr Hilary Jones has shared how people can manage their coughs without turning to pholcodine, which the UK's medicines regulator says raises the risk of life-threatening anaphylaxis among patients put under general anaesthetic.  Twenty products are being urgently withdrawn, including ones made by Day & Night Nurse and Covonia — as well as own-brand versions on sale in Boots and Superdrug.

Tongue-in-cheek is a hard enough act to pull off; it's even harder to follow up. Tongue-in-cheek is a hard enough act to pull off; it’s even harder to follow up. Mark Hollman and Greg Kotis created “Urinetown” — by far the biggest commercial success of the flippantly offbeat musical genre — and now return with a spiritedly silly new tuner called “Yeast Nation (The Triumph of Life).” Ostensibly, it’s about the world’s earliest life forms, but it’s really a riff on individual human aspiration, love and theatrical storytelling.

The year may have just begun, but festival season is already around the corner. Some of the biggest acts in music, from Ed Sheeran to Megan Thee Stallion, are hitting the stage at music festivals around the country this summer. As each jam-packed event announces its dates, location and lineup, PEOPLE has got you covered with all the information you'll need to get in the crowd. Below are the top music festivals in the U.

Coach was only part of the Cheers cast for three of its eleven years on air, but his presence made the early episodes special. Played by the late Nicholas Colasanto, Coach was a retired baseball coach who was often oblivious to everything the younger crowd said. Unfortunately, the real-life death of Colasanto after season three changed the show forever, but a look at the actor’s legacy shows why he’s still beloved nearly 40 years after his death.

Good news for Pawn Stars fans: Chumlee is alive and well.  The reality star, real name Austin Russell, fell victim to a death hoax earlier this week after tabloid site ebuzzd ran a story claiming the funnyman died of a heart attack. Mind you, the website also currently has a story on Betty White's death (obviously not true) as well as Justin Bieber's tragic accident (also false).  ebuzzd even cited a "

Éric-Emmanuel Schmitt est un dramaturge franco-belge, un écrivain et romancier de nouvelles, ainsi qu’un cinéaste. Ses œuvres ont été présentées dans plus de 50 pays à travers le monde. Wikipédia, biographie d’Éric-Emmanuel Schmitt Origine Éric-Emmanuel Schmitt est originaire de Sainte-Foy-lès-Lyon, Rhône, France. L’édition « Classiques & Contemporains » de La Nuit de Valognes (Don Juan en jugement) affirme que Schmitt se dépeint comme un adolescent rebelle qui détestait la sagesse reçue et était parfois sujet à des accès de violence.